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MASTER COMPOSERS FROM AROUND THE WORLD

These composers have left an indelible mark on the world of classical music. Their extraordinary talent and innovative compositions have captivated audiences across generations. Each one represents a unique musical voice, showcasing the richness and diversity of the global classical music landscape.Knowing them will help you understand the greatest composers in the world.

Austria

Mozart: The Funny, Rebellious Prodigy. History Documentary, Including Facial Re-creations.
29:48

Mozart: The Funny, Rebellious Prodigy. History Documentary, Including Facial Re-creations.

The first 500 people to use my link will get a 1 month free trial of Skillshare https://skl.sh/royaltynowstudios01241 Today, we’ll talk about his history. From his prodigy-level status as a child “star” with his stage dad Leopold, his travels all over Europe, to his most amazing compositions and cheeky personality. Then at the end, we’ll talk about his real appearance and unveil our re-creation of the real face of Mozart. Miserere Credit (Kindly released into the public domain by the Ensamble Escénico Vocal) https://www.youtube.com/watch?v=hb2m1Rrkhkc. 0:00 Early Life as a Prodigy 7:13 Adolescence and European Tour 11:06 Life in Salzburg 18:43 Romance with Constanze Weber 20:53 Death & Greatest Works 24:50 What did Mozart Look Like? 27:30 Re-creations Revealed The true appearance of Mozart is surprisingly contentious - He’s even been described as the most famous person whose true likeness is the least recognized. All of his portraits look a little different. His family members - as well as historians - have commented on this. His sister Nannerl said that she had “never seen so many portraits of my brother that are so different when seen side by side, but that nevertheless all look like him.” Mozart scholar Arthur Schurig said, “Mozart has been the subject of more portraits that have no connection with his actual appearance than any other famous man.” Alfred Einstein, a Mozart specialist said: “We have nothing to give us an idea of Mozart's physical appearance, except for a few mediocre canvases that don’t even resemble each other.” So what then, is his true appearance? Let’s start with some portraits that were created during his lifetime - This Della Croce portrait of the Mozart family was made from life around 1780, and gives us a good look at the young Wolfgang. He’s also seen here in the Bologna portrait (not that it’s a 1777 copy of a lost 1770 original). He’s shockingly only 14 in this image. His father said his son was ill the day this portrait was painting, and that it wasn’t even a good work of art - but also added that it looks “very much like him”. Another is this unfinished image, made by his brother-in-law, which Mozart’s wife said was the most accurate image, but somehow looks the most different from the others. We know some details from the people he lived and worked with. A colleague Michael Kelly said that Mozar was very thin and pale (he was only about 5’ tall), with abundant dark blond hair. He was very fond of billiards (and always won). Drank punch (with little moderation), and was a kind-hearted man with a good sense of humor. We also know he had large blue eyes, a strong nose, and a head considered too big for his body. He was considered a sickly child, he’d had smallpox in his youth which marked his face, and suffered from poor dental health and toothaches. His poor health, I suspect, is a reason he always looks much older than his years in some of these portraits. His friends agreed that Mozart knew he wasn’t a man who was exceptionally attractive, so he made up for it by wearing luxurious clothing, and always caring meticulously about his appearance. One small indicator of possible self-consciousness is that we don’t see his left ear in any paintings. You see, he had a defect of the left ear (we now refer to this as “mozart’s ear”) that changed the shape quite drastically. He even made this watercolor image of it himself. I’m going to use the best quality image we have of Mozart to bring him to life - this 1819 version by Barbara Krafft. While it was not made from life, Krafft actually worked closely with Mozart’s sister on this version to create a kind of “definitive likeness”. Kind of like what I try to do these days. She used 3 faithful works as models for this image. Krafft and Nannerl agreed that Mozart hadn’t been painted by the most talented artists of his time, and they wanted to have a good portrait of him. Find us here: Instagram: @Royalty_Now_ Tik Tok: @RoyaltyNow Patreon: Patreon.com/RoyaltyNow RoyaltyNowStudios.com This video creation and final image are ©Royalty Now.

China

Bright Sheng: "Black Swan". The composer and his work | Music | Khan Academy
10:10

Bright Sheng: "Black Swan". The composer and his work | Music | Khan Academy

Created by All-Star Orchestra Watch the full performance here: https://youtu.be/Lbm4ouevlVo Watch the next lesson: https://www.khanacademy.org/humanities/music/music-masterpieces-old-new/danielpour-concerto-analysis-music/v/richard-danielpour-concerto-4-movement-iii-the-composer-and-his-work?utm_source=YT&utm_medium=Desc&utm_campaign=music Missed the previous lesson? https://www.khanacademy.org/humanities/music/music-masterpieces-old-new/augusta-read-thomas-music/v/of-paradise-and-light-composer-and-her-work?utm_source=YT&utm_medium=Desc&utm_campaign=music Music on Khan Academy: Music has sometimes reflected, and at other times challenged repressive ideologies. Dmitri Shostakovich abandoned the premiere of his daring 4th Symphony in 1935 for fear of reprisals from the Soviet government. Then he composed his triumphant 5th Symphony in 1937, and Stalin was pleased. To this day the 5th is Shostakovich's most popular symphony. What is its message? What does "political music" mean today? About Khan Academy: Khan Academy offers practice exercises, instructional videos, and a personalized learning dashboard that empower learners to study at their own pace in and outside of the classroom. We tackle math, science, computer programming, history, art history, economics, and more. Our math missions guide learners from kindergarten to calculus using state-of-the-art, adaptive technology that identifies strengths and learning gaps. We've also partnered with institutions like NASA, The Museum of Modern Art, The California Academy of Sciences, and MIT to offer specialized content. For free. For everyone. Forever. #YouCanLearnAnything Subscribe to Khan Academy’s Music channel: https://www.youtube.com/channel/UC_XdZOfVXLbpQcxW4UYKMTg?sub_confirmation=1 Subscribe to Khan Academy: https://www.youtube.com/subscription_center?add_user=khanacademy
Butterfly Lovers Violin Concerto | He Zhanhao / Chen Gang | Asian Cultural Symphony Orchestra
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Butterfly Lovers Violin Concerto | He Zhanhao / Chen Gang | Asian Cultural Symphony Orchestra

Orchestra - Asian Cultural Symphony Orchestra Composer - Kelly Tang Conductor - Tsung Yeh Solo Violin - Lynnette Seah Supported by Temasek Foundation Notes from Composer: Based on the ancient Chinese folktale of The Butterfly Lovers, this music is adapted from tunes of Yue Opera in Zhejiang Province. The three main sections of the original folk tale tell of the making of sworn brothers at Cao Qiao, Zhu Ying Tai’s refusal of an arranged marriage and the reincarnation of lovers as butterflies by their graves. These three sections are presented in the sonata form – exposition, development and recapitulation of the concerto. The exposition depicts a scene of sunshine and gentle breeze, with the violin entering on a simple and beautiful love theme. An exchange between different instruments represents the friendship between Liang Shan Bo and Zhu Ying Tai (the latter impersonating a male) , who eventually become sworn brothers at Cao Qiao. A subsequent lively allegro depicts the three happy years of the “brothers” studying together, while a lento section shows their reluctant parting at a pavilion. In the development section of the work, the orchestra and violin play contrasting themes to express Zhu Ying Tai’s bitterness and her strong sentiments in defying a marriage arranged by her father. A Lento passage depicts the meeting between the lovers. Thereafter, the mood of the music changes abruptly. A scintillating passage inspired by daoban rhythms from Beijing opera and xiaoban from Yue opera, illustrating Zhu Ying Tai’s sad disposition at Liang Shan Bo’s grave. All ends well when the lovers are eventually reincarnated as a pair of butterflies. Together, they flutter into the sky with newfound freedom, while the original love theme on the violin reappears, paying tribute to their everlasting love. ------------------------------ Supported by the Temasek Foundation, the Asian Cultural Symphony Orchestra presents 𝙈𝙪𝙨𝙞𝙘𝙖𝙡 𝙈𝙤𝙨𝙖𝙞𝙘𝙨, a celebration of Singapore’s Multiculturalism and Cultural Medallion winners.

Czech Republic

England

Benjamin Britten – A Time There Was (Full Film) | Tony Palmer Films
01:40:59

Benjamin Britten – A Time There Was (Full Film) | Tony Palmer Films

SUBSCRIBE: https://www.youtube.com/channel/UCFBfNoZhGjK8ys2EGwWxedw?sub_confirmation=1 MORE Benjamin Britten Films: https://www.youtube.com/playlist?list=PLEGKK--EYJ3X-nNYLwq4ZTERpxBZJU7Rb "There are always dates that resonate forever in our lives – “I remember exactly what I was doing when….”; or even “I was there……” The death of Kennedy, for instance. For me that date is May 30th 1962. By chance I had been taken to the newly opened Coventry Cathedral by a friend to hear “a big new choral piece” by Britten, and there I met John Culshaw who, as head of DECCA, was then in the process of committing Britten’s entire works to disc. And thank God he did. To him, we should all be eternally grateful. That big new piece was, of course, the world première of the War Requiem. I remember the utter silence that followed the performance. No words, let alone applause, could express what we all felt, a feeling that has never left me every time I hear music by Britten. Years later I was able to repay a tiny part of my gratitude to him for what he had given us with a film called Britten & his Festival about the opening of the original Snape Concert Hall in 1967. I can, with modesty, say that he loved the film, with the consequence that after he had died, Peter Pears, his lover and long-time inspiration, asked me to make a more substantial film in memory. This film, made in 1979, with Janet Baker, Julian Bream, Richter, Leonard Bernstein, Britten's brother & sisters, Pears himself and a host of close friends, was the result. I could never properly repay my debt to him, of course, but I hoped (and hope) the film would enable others to share something of this strange, haunted man, and his gift to us. Humphrey Carpenter once played the Young Person’s Guide on his programme In Tune on Radio3. Following the tumultuous fugue at the end, there was a long pause, and eventually Humphrey said: “that, ladies and gentlemen, is pure genius”. Yes, it is." - TONY PALMER Winner: Prix Italia “Palmer is a master of the medium - he takes us into the minds of men of music and explains why they accomplished what they did. This is the most absorbing film ever made about a composer, how he worked, what he thought and what made him what he was. It is important as any book written on the man and his music.” - John Ardoin, The New York Times Directed & Edited by TONY PALMER Photographed by NIC KNOWLAND Supervising Editor GRAHAM BUNN with BENJAMIN BRITTEN, PETER PEARS, LEONARD BERNSTEIN, ROBERT BRITTEN, BARBARA BRITTEN, BETH WELFORD (sister), SVIATOSLAV RICHTER, JANET BAKER, JULIAN BREAM, HEATHER HARPER, JOHN SHIRLEY-QUIRK, IMOGEN HOLST, ROSAMUND STRODE, RUDOLF BING, HENRY MOORE, PAUL ROTHA, BEATA MAYER, DAVID ROTHMAN, ELSIE HOCKEY (cousin), MISS HUDSON (housekeeper), RITA THOMPSON (nurse) THE ENGLISH CHAMBER ORCHESTRA conducted by STEUART BEDFORD Music from Peter Grimes, The Rape of Lucretia, Billy Budd, The Turn of the Screw, Noye’s Fludde, A Midsummer Night’s Dream, Curlew River, The Burning Fiery Furnace, Phaedra, Death in Venice, War Requiem, Nocturne, Prince of the Pagodas, Les Illuminations, The Building of the House, Nocturnal, The Way to the Sea, Night Mail, Sinfonia da Requiem, Young Person’s Guide to the Orchestra FIND OUT MORE: Tony Palmer: http://www.tonypalmer.org/

France

Maurizio! The Life and Times of Maurice Ravel
01:35:13

Maurizio! The Life and Times of Maurice Ravel

Experience Ravel’s life and music in its historic context with music historian Susan Waterfall. With contemporary art and photographs, and 26 musical excerpts, you’ll get an overview of a composer whose creative life spanned the voluptuous conclusion of the Belle Epoque, the trauma of the First World War, and the new paths to modernism that emerged in the 20’s and 30’s. 85 years after his death, nosy biographers are still trying to understand Ravel’s mysterious private life, as inscrutable as his music is irresistible. www.susanwaterfall.com LINKS TO FULL PERFORMANCES: 0:00 Mother Goose Suite Jussen Bros https://www.youtube.com/watch?v=kfJqf40vyn8 13:10 Menuet Antique Louis Lortie https://www.youtube.com/watch?v=hGRNip9vbao 13:57 Habanera Tchaidze/Pisareva https://www.youtube.com/watch?v=XOiICZkg6SE 16:08 Pavane for a Long-Ago Princess Ashkenazy https://www.youtube.com/watch?v=0PKRYtj1Mfg 18:43 Jeux d’eau Argerich https://www.youtube.com/watch?v=J_36x1_LKgg&t=69s 22:29 String Quartet Hagen String Quartet https://www.youtube.com/watch?v=ZhN0RRlLhDg 25:24 L’Indifferent from “Sheherazade” Leonard/Gaffigan/Detroit Symphony https://www.youtube.com/watch?v=I8jge5lymvE 29:14 Introduction and Allegro Niederrhein Musikfestival https://www.youtube.com/watch?v=FU2geih9rA4 31:30 Alborado del Gracioso Bertrand Chamayou https://www.youtube.com/watch?v=xdzWNAVgics 33:30 Histoires Naturelles Degout/Harrigan https://www.youtube.com/watch?v=UnfH1-uzYcE 35:55 L’heure Espagnol Koch/Ozawa/Opera Garnier https://www.youtube.com/watch?v=8OqZd8zf_hM 38:26 Scarbo Mariangela Vacatello https://www.youtube.com/watch?v=H1hXbhivFs8 40:52 Beauty and the Beast Salonen and NDR https://www.youtube.com/watch?v=puG2HX7h0BY 43:22 Valses Nobles et Sentimentales Ravel Welte Mignon in 1913 https://www.youtube.com/watch?v=tcS5W-9BwZA 45:17 Daphnis and Chloe WDR Orch Cologne, Saraste https://www.youtube.com/watch?v=O4lzPz3NnI0 47:42 Soupir from Mallarme Songs Anne Sofie von Otter https://www.youtube.com/watch?v=tUDgPTzOHJA 52:25 Piano Trio Pantoum Merz Trio NEC https://www.youtube.com/watch?v=Qy3uYBH5UaU 54:39 Trois Beaux Oiseaux du Paradis Rutter/Cambridge Singers https://www.youtube.com/watch?v=YOE3tCiPMwQ 57:29 Tombeau de Couperin Perlemutter https://www.youtube.com/watch?v=nQWY4aBIS58 1:01:07 La Valse Bernstein Orchestre Nationale de France https://www.youtube.com/watch?v=Fg2i2NB-i3o 1:04:31 Duo Sonata for Violin and Cello Juillard and Bellom, Paris Post 1918 https://www.youtube.com/watch?v=ghgZVZlIWYw 1:08:19 Tzigane Joshua Bell, Maazel, NY Phil https://www.youtube.com/watch?v=gF8NSiD7K8c 1:11:06 L’Enfant et Les Sortileges orch/chorus Radio France Franck https://www.youtube.com/watch?v=Y-YwjICCLN0&t=532s 1:14:00 Chansons Madecasses #2 Magdalena Kozena et al https://www.youtube.com/watch?v=pSG3H2oJ7qc&list=RDpSG3H2oJ7qc&start_r adio=1 1:17:02 Violin Sonata “Blues” Hadelich and Weiss https://www.youtube.com/watch?v=FkIxuxqBBJE 1:19:20 Bolero Dudamel and Vienna Phil https://www.youtube.com/watch?v=E9PiL5icwic 1:22:06 film of Ravel with Olin Downes https://www.youtube.com/watch?v=Nf-IWOhRRYo 1:23:41 Concerto for Left Hand Bavouzet and Salonen/Philharmonia https://www.youtube.com/watch?v=Hu9KcFsB84I&t=916s 1:26:21 G Major Concerto Argerich /Krivine/ Orch Nat’l de France (2017) https://www.youtube.com/watch?v=vlvWfP-iFmY 1:29:31 Don Quixote to Dulcinea Prato and Pratico https://www.youtube.com/watch?v=55kvsZN6YsA 1:33:53 Mother Goose Jussen Bros https://www.youtube.com/watch?v=kfJqf40vyn8

Germany

Brahms: Symphonies - Music Documentary 1/2 | Paavo Järvi and the Deutsche Kammerphilharmonie Bremen
42:25

Brahms: Symphonies - Music Documentary 1/2 | Paavo Järvi and the Deutsche Kammerphilharmonie Bremen

Paavo Järvi: The Estonian star conductor has rediscovered the four symphonies by Johannes Brahms. The film follows him and the orchestra at rehearsals, in the studio and at concerts and presents the highlights of the romantic masterpieces. Part 2: https://youtu.be/UlI_k3RCADs Paavo Järvi is principal conductor at both the NHK Symphony Orchestra in Tokyo and the Tonhalle Orchestra Zurich - but his most intensive collaboration is with The Deutsche Kammerphilharmonie in Bremen. Their collaborations have already inspired both press and audiences with dazzling interpretations of the symphonies of Ludwig van Beethoven and Robert Schumann. Now the conductor and orchestra are focusing exclusively on the four symphonies of Johannes Brahms. "That music - because it is so great - somehow is a soundtrack not only to the time when it was written but it is actually quite a valid soundtrack to our times as well." Järvi says. The charismatic conductor conveys his enthusiasm for the masterpieces and gives important information for understanding them. "There are little hidden codes, which is up to us to figure out what they mean." The conductor and orchestra take a lot of time to reinterpret these well-known symphonies. "When I conduct Kammerphilharmonie or have conducted them in the last couple of years it’s only been Brahms," he says. "And the focus is so concentrated that it has become a second nature. In fact it’s almost a kind of religious ritual for the orchestra: There is always rehearsal before the concert. It doesn’t matter how many times we have done the piece. And these are the moments where you tweak, you do little things, you fine-tune... It’s a luxury that so few orchestras have." Thus the rehearsals have become a musical laboratory. The Brahms Code is director Christian Berger’s the third collaboration with The Deutsche Kammerphilharmonie Bremen and Paavo Järvi. The DW productions "Das Beethoven-Projekt” (2010) and "Schumann at Pier 2" (2012) have already delighted international audiences and won many awards. At a glance: (00:00) Introduction: Paavo Järvi and the Deutsche Kammerphilharmonie Bremen - a fruitful relationship (04:40) Johannes Brahms: Background information on the 19th century composer (07:45) Symphony No. 1: 1st movement (14:17) Symphony No. 1: 2nd movement (18:02) Symphony No. 1: 3rd movement (19:15) Symphony No. 1: 4th movement (28:27) Symphony No. 2: 1st movement (34:23) Paavo Järvi: a star conductor from Estonia (38:09) Symphony No. 2: 4th movement Watch more Music Documentaries: https://www.youtube.com/playlist?list=PL_SdnzPd3eBUu43Xaa5AYyL7MruoJ42WD Listen and watch – your personal concert hall: https://www.youtube.com/playlist?list=PL_SdnzPd3eBV5A14dyRWy1KSkwcG8LEey Subscribe to DW Classical Music: https://www.youtube.com/channel/UC_kqgIRwOD3XCZXXr4B6bPQ #brahms #paavojaervi #DeutscheKammerphilharmonieBremen #brahmscode
Johann Sebastian Bach: The Fifth Evangelist | Music Documentary (Bachfest Leipzig 2013)
25:57

Johann Sebastian Bach: The Fifth Evangelist | Music Documentary (Bachfest Leipzig 2013)

A homage to Johann Sebastian Bach, the composer of the Christian message: the music documentary Vita Christi—Bach, the Fifth Evangelist was produced for the 2013 Bach Festival Leipzig. With the theme, "Vita Christi", that year's edition of the festival retold the life of Jesus Christ in oratorios, masses and cantatas by Johann Sebastian Bach and composers close to him. Peter Schlögl's music documentary highlights the festival program, shows rehearsals and concert excerpts and hears from musicians and Bach experts. Years later, the timeless quality of this documentary is still evident. Not only does it provide insight into the authentic places where Johann Sebastian Bach worked, it also convincingly conveys the motives of the important Baroque composer. Bach was a Christian composer, who placed himself and his work entirely at the service of God. His compositions retell the life of Jesus Christ as if they were one of the four Gospels of the New Testament. This is why Bach is referred to as the “Fifth Evangelist.” At a glance: (00:00) Introduction: The legacy of Johann Sebastian Bach (00:59) The Bachfest Leipzig 2013 "Vita Christi" retold the life of Jesus Christ in music, in oratorios, masses and cantatas (00:59) Music excerpt: J.S. Bach: Chorus "Wachet auf, ruft uns die Stimme" (from the Cantata "Wachet auf, ruft uns die Stimme", BWV 140) | St. Thomas Choir & Gewandhaus Orchestra Leipzig, Georg Christoph Biller (conductor) (02:32) Statements from festival visitors (02:53) Biography: Bach comes to Leipzig (03:30) Stefan Altner, Managing Director of the St. Thomas Choir Leipzig: Bach is the origin of most of today's music (03:56) Pianist & composer Ketil Bjørnstad improvises on Bach's music and reflects on its existential content (06:51) Biography: Bach's work in Leipzig (07:38) Christoph Wolff, Director of the Bach Archive Leipzig: How Bach directed the St. Thomas Choir (08:19) History of the St. Thomas Choir (08:50) Georg Christoph Biller, Musical Director of the St. Thomas Choir: It is the St Thomas's Choir’s responsibility to regularly perform works by Johann Sebastian Bach (09:17) Rehearsal: J.S. Bach: "Cum Sancto Spiritu" (from the Mass in B minor, BWV 232) | St. Thomas Choir, Georg Christoph Biller (conductor) (10:28) Georg Christoph Biller, Musical Director of the St. Thomas Choir: The Mass in B minor is an expression of Bach's skill and thinking (10:49) Christoph Wolff, Director of the Bach Archive Leipzig: The Kyrie and Gloria set an incomparable final accent in the Mass in B minor (11:47) Christoph Wolff, Director of the Bach Archive Leipzig: The Credo of the Mass in B minor is a short summary of the life of Christ and the story of salvation (12:05) The theological significance of Bach and the spirituality of his music (12:47) Stefan Altner, Managing Director of the St. Thomas Choir: Bach's music not only appeals to the intellect but also touches people emotionally (13:05) Bach as a Lutheran composer (13:22) Christoph Wolff, Director of the Bach Archive Leipzig: During Bach's lifetime, Protestant church music was of immense importance (14:02) Bach's deep religiousness (14:21) Helmut Loos, Musicologist: Bach made music at the service of God (14:45) Bach's work at the St. Nicholas Church in Leipzig (15:31) Rehearsal: J.S. Bach: Sinfonia (from the Cantata "Christ lag in Todesbanden", BWV 4) | Chamber Choir & Hofkapelle Stuttgart, Frieder Bernius (conductor) (16:22) Frieder Bernius, conductor Chamber Choir Stuttgart: Bach's music convincingly conveys the Christian message (17:02) Rehearsal: J. S. Bach: Aria "Jesus Christus, Gottes Sohn" (from the Cantata "Christ lag in Todesbanden", BWV 4) | Andreas Weller (tenor), Hofkapelle Stuttgart, Frieder Bernius (conductor) (19:03) Bach is the” fifth evangelist,” because his works retell the Christian story of salvation (19:25) Helmut Loos, Musicologist: Bach's music is proclamation—and deliberately elaborate proclamation at that (19:50) Rehearsal: J.S. Bach: Chorus "Es war ein wunderlicher Krieg" (from the Cantata "Christ lag in Todesbanden", BWV 4) | Chamber Choir Stuttgart, Frieder Bernius (conductor) (22:01) The Leipzig Chamber Choir Josquin des Préz presents a program with music from Bach's circle, including by Johann Kuhnau, who was musical director of the St. Thomas Choir before Johann Sebastian Bach (22:40) Christoph Wolff, Director of the Bach Archive Leipzig: Bach was influenced by Kuhnau (22:58) Music excerpt: Johann Kuhnau: Motet "Tristis est anima mea" (Sad is my soul) | Chamber Choir Josquin des Préz, Ludwig Böhme (conductor) (23:53) Ludwig Böhme, conductor Chamber Choir Josquin des Préz: The Bach Festival is like home to him, and Bach is simply the greatest composer (25:15) Bach was a sensuous man, a humble medieval craftsman who worked to honor God © Deutsche Welle 2013 Watch more music documentaries: https://www.youtube.com/playlist?list=PL_SdnzPd3eBUu43Xaa5AYyL7MruoJ42WD #johannsebastianbach #musicdocumentary
Richard Wagner a biography in words and pictures (see table of contents below)
36:03

Richard Wagner a biography in words and pictures (see table of contents below)

The places where Wagner worked and the most important people in his life. 00:00 Intro 00:45 Birth in Leipzig 01:54 Youth in Dresden 03:27 Studies in Leipzig 04:05 Years of wandering (Magdeburg, Riga etc.) 06:43 The birth of the flying Dutchman 07:57 Paris and burgeoning anti-Semitism 09:37 Breakthrough in Dresden with Rienzi 10:16 Wartburg and the birth of Tannhäuser 14:03 Kapellmeister and revolutionary in Dresden 14:46 Exile in Zurich, Tristan and Isolde 17:05 Tannhäuser fiasco in Paris 19:05 Tristan fiasco in Vienna, work on Die Meistersinger 21:59 The Miracle of Munich, Ludwig II 25:55 Cosima, Wagner and the women 28:47 Exile in Lucerne 30:23 Bayreuth years 33:10 The last years 34:06 Epilogue, Bayreuth after Wagner's death More about the operas of Richard Wagner #richardwagner #richardwagner #richardwagner LINKS to the online opera guides of his operas: THE FLYING DUTCHMAN (DER FLIEGENDE HOLLÄNDER) https://opera-inside.com/der-fliegende-hollaender-von-richard-wagner/?lang=de DIE MEISTERSINGER VON NÜRNBERG https://opera-inside.com/die-meistersinger-von-nuernberg-von-richard-wagner-opernfuehrer-und-handlung/?lang=de TWILIGHT OF GODS (GÖTTERDÄMMERUNG) https://opera-inside.com/twilight-of-gods-by-richard-wagner-the-opera-guide-and-synopsis/ LOHENGRIN https://opera-inside.com/lohengrin-by-richard-wagner-the-opera-guide-and-synopsis/ PARSIFAL https://opera-inside.com/parsifal-by-richard-wagner-the-opera-guide-and-synopsis/ RHEINGOLD https://opera-inside.com/rheingold-by-richard-wagner-the-opera-guide-and-synopsis/ RING DES NIBELUNGEN https://opera-inside.com/the-ring-of-the-nibelung-by-richard-wagner-the-opera-guide-and-synopsis/ SIEGFRIED https://opera-inside.com/siegfried-by-richard-wagner-the-opera-guide-and-synopsis/ TANNHÄUSER https://opera-inside.com/tannhauser-by-richard-wagner-the-opera-guide-synopsis/ THE VALKYRIE https://opera-inside.com/die-walkure-the-valkyrie-by-richard-wagner-the-opera-guide-and-synopsis/ Access to the online opera guide: www.opera-inside.com More biographies of Artist (Youtube Videos) ********************************************* Bach: https://youtu.be/qqmhYsF-JrE Donizetti: https://youtu.be/3YI44YEB1u4 Puccini: https://youtu.be/O9fRIqnGAFQ Rossini: https://youtu.be/Qv511Z6R-w8 Strauss: https://youtu.be/DoDegi7FcWk Tchaikowsky: https://youtu.be/Vo-RX49UkxA Verdi: https://youtu.be/-JNNZWYH4w4 Mendelssohn: https://youtu.be/3susb6TcHG8 Mozart: https://youtu.be/fC0_h3-ZH0Q Brahms: https://youtu.be/DyVmw5u9vjI Stravinsky: https://youtu.be/67mGIs3RSAs Bruckner: https://youtu.be/XdIcfzjGdjc Wagner: https://youtu.be/JPdz8Oa9Doo Beethoven: https://youtu.be/yl7HqahLCDk

Hungary

Franz Liszt - The Pilgrimage Years
01:01:57

Franz Liszt - The Pilgrimage Years

This documentary attempts to recount the extraordinary, highly eventful life of the great Hungarian composer Franz Liszt (1811-1886), with particular emphasis on his relation with Italy and with Italian art and culture. Although the whole of his life is covered, special attention is given to his first visit to Italy (1837-39), when Liszt conceived a great part of his most important compositions: the two Concertos for piano and orchestra, the Totentanz, the Transcendental Studies, the Dante Sonata. Furthermore, it was in Italy that Liszt invented the recital, and it was Italy that marked the beginning of his grand international tour that was to transform him into the first “rock-star” ante litteram. The composer’s life is narrated through the reading of original letters and diaries written by Liszt and Marie d’Agoult, accompanied by reconstructed scenes of the period that re-evoke their stays on Lake Como, in Milan, Pisa, San Rossore and Rome – the inspirational sources that fired Liszt’s creative instinct: to see Italy through the eyes of Liszt. The main characteristics of Liszt’s poetics and the reasons for his historical importance as an innovator of the language for piano and of concert “conventions” are dialectically explained by some of the most authoritative scholars of Liszt, including Charles Rosen, Leslie Howard, Antonio Pappano and Evgeny Kissin. Besides the celebrated performances of famous interpreters of Liszt such as Gyorgy Cziffra and Earl Wild, the documentary also features numerous musical examples played on the piano by Rosen, Howard and Roberto Prosseda, who focus their attention precisely on the pieces that make up the collection “Années de Pèlerinage, Italie”, the piano cycle in which Liszt openly expresses his love for Italian art and culture. Subscribe to EuroArts: https://goo.gl/jrui3M

Italy

Giuseppe Verdi: Documentary with Thomas Hampson | Incl. La Traviata, Nabucco, Il Trovatore, Macbeth
57:42

Giuseppe Verdi: Documentary with Thomas Hampson | Incl. La Traviata, Nabucco, Il Trovatore, Macbeth

"Fly, Thought, On Golden Wings: Verdi's life told by Thomas Hampson": In this documentary, acclaimed baritone Thomas Hampson guides us through Giuseppe Verdi's life - by performing some of his famous arias from La Traviata, Il Trovatore or Macbeth, and visiting Milan, Venice and Paris. Watch more Giuseppe Verdi: https://www.youtube.com/watch?v=JVdxqovI7wo&list=PLBjoEdEVMABJkvF8Kd8SkDGYh1qzP5JhV&index=3 Subscribe to EuroArts: https://goo.gl/jrui3M 00:00 Introduction to Giuseppe Verdi's life Performances: 10:54 Verdi - I Due Foscari, "O veccio cor..." (Thomas Hampson) 17:07 Verdi - Macbeth, "Pietà, rispetto, amore" (Thomas Hampson) 30:45 Verdi - Il Trovatore, "Tout est desert...Son regard" (Thomas Hampson) 49:11 Verdi - La Traviata, "Die provenza il mar" (Thomas Hampson) Performers: Thomas Hampson - vocal Orchestra of the Age of Enlightenment Richard Armstrong - conductor Other music: Verdi - La Traviata, Overture (The Royal Opera House Orchestra, George Solti) Gioachino Rossini - The Barber of Seville (Berlin Philharmonic, Claudio Abbado) Verdi - La Traviata, Prelude 3 Act (The Royal Opera House Orchestra, George Solti) Verdi - Nabucco, Overture (Berlin Phalharmonic, Claudio Abbado) Verdi - I Vespri Siciliani, Overture (Berlin Philharmonic, Claudio Abbado) Verdi -La Forza del destino, Overture (Berlin Philharmonic, Claudio Abbado) Verdi - Aida, Triumphal March (Berlin Philharmonic, Claudio Abbado, Rundfunkchor Berlin) Verdi - Messa da Requiem (Berlin Philharmonic, Claudio Abbado, Swedish Radio Choir) Verdi - Nabucco, Hebrew Slaves Chorus (Berlin Philharmonic, Claudio Abbado) About the film Giuseppe Verdi, Italy’s most admired and best-known composer, creator of repertoire masterpieces such as Nabucco, Aida and the world-famous Requiem Mass (sometimes referred to as "Verdi’s most beautiful opera") died in Milan, Italy, on the 27th of January 1901. On the occasion of the centennial of his death, EuroArts produced a documentary (written by Peter Beringer and directed by Felix Breisach) about his life and music. The program is hosted by Thomas Hampson, eloquent and world-famous baritone. The footage was shot on locations in Italy (e.g. Milan, Venice) and France (Paris). Title: Fly, Thought, On Golden Wings: Verdi's life told by Thomas Hampson Director: Felix Breisach 2001, EuroArts, NHK, ORF
Gioacchino Rossini - A Biography: His Life and Places (Documentary)
24:15

Gioacchino Rossini - A Biography: His Life and Places (Documentary)

Gioacchino Rossini: a biography in words and pictures. The places where Rossini worked and the most important people of his life (documentary). 00:00 Intro 00:53 Birth in Pesaro 01:52 Pupil and student in Lugo & Bologna 03:07 Galley years 04:28 Breakthrough in Venice 06:48 Composer and theater director in Naples 09:46 Rossini becomes leading composer 12:35 Rossini frenzy in Vienna 13:24 Marriage with Colbran in Bologna 14:04 Stay in England 15:33 Move to Paris 17:54 Musical earthquake in Lucca 21:26 Salonist and gourmet in Paris 22:07 Chronic illness and death in Paris ACCESS TO THE ONLINE OPERA GUIDE: ***************************************** You can find more information about opera on the opera portal www.opera-inside.com - everything about opera online opera guide to William Tell https://opera-inside.com/guillaume-tell-by-gioacchino-rossini-the-opera-guide-and-synopsis/ online opera guide to Il barbiere di Siviglia https://opera-inside.com/il-barbiere-di-siviglia-by-gioacchino-rossini/ online opera guide to La Cenerentola https://opera-inside.com/la-cenerentola-by-gioacchino-rossini-the-opera-guide-synopsis/ online opera guide to La Cenerentola https://opera-inside.com/litaliana-in-algeri-by-gioacchino-rossini-opera-guide-and-synopsis/ Book Parsiphal - what you should not know about opera (opera anecdotes): ******************************************************************************** what you should not know about opera Amazon.com (print & e-book): https://www.amazon.com/Parsiphal-Opera-Anecdotes-should-about-ebook/dp/B08X7DMHXM/ref=sr_1_1?crid=1L19OYIK2FTDM&keywords=parsiphal&qid=1677232096&s=books&sprefix=parsifal%2Cstripbooks-intl-ship%2C129&sr=1-1 More biographies of Artist (Youtube Videos) ********************************************* Bach: https://youtu.be/qqmhYsF-JrE Donizetti: https://youtu.be/3YI44YEB1u4 Puccini: https://youtu.be/O9fRIqnGAFQ Rossini: https://youtu.be/Qv511Z6R-w8 Strauss: https://youtu.be/DoDegi7FcWk Tchaikowsky: https://youtu.be/Vo-RX49UkxA Verdi: https://youtu.be/-JNNZWYH4w4 Mendelssohn: https://youtu.be/3susb6TcHG8 Mozart: https://youtu.be/fC0_h3-ZH0Q Brahms: https://youtu.be/DyVmw5u9vjI Stravinsky: https://youtu.be/67mGIs3RSAs Bruckner: https://youtu.be/XdIcfzjGdjc Wagner: https://youtu.be/JPdz8Oa9Doo Beethoven: https://youtu.be/yl7HqahLCDk

Japan

Toshiro Mayuzumi The Bible 黛敏郎 映画「天地創造」より
01:21

Toshiro Mayuzumi The Bible 黛敏郎 映画「天地創造」より

Music by Toshiro Mayuzumi from 1966 movie "The Bible" 黛敏郎作曲の映画音楽「天地創造」のテーマ。1960年代は大型映画がたくさん登場しました。映画音楽の「ゴールデン・エイジ」の末期であるこのころは、登場する大型映画の音楽は皆,素晴らしいものでした。映画音楽の権威ミクロス・ローザ(Ben Hur / King of Kings / El Cid / Sodom and Gomorrah )の音楽が素晴らしいのは言うまでもありませんが,その他の作曲家の作品も素晴らしかったのです。隊長ブーリバ(Taras Bulba / Waxman)、戦艦バウンティ(Mutiny on The Bounty / Kaper),ローマ帝国の滅亡(Fall of The Roman Empire / Tiomkin),カーツーム(Khartoum / Cordell)など。その中で注目の大作The Bible (天地創造)を日本の作曲家,黛敏郎が担当したと知って,私は当時の他の作品と肩を並べられるくらいの作品に仕上がったのかなあとちょっと心配しました。しかし心配は無用のもので、その映画音楽は素晴らしい出来でした。実際,映画自体は二流の出来でむしろ退屈なものでしたが、この音楽は唯一の卓越した要素でした。 John Huston, the director of the movie wrote: Mayuzumi saw "The Bible". Where we'd have music and where not - that's all we discussed. Nothing was said about the ind of music... where it was to be a full orchestra or single instruments or winds or strings or electronics. Dino (the producer) and I had agreed beforehand that this would be left entirely to Toshiro. Some weeks later he was ready to record. We - Dino and I - went to the session without having heard a single bar. Our hopes were very high but we weren't prepared for what occurred there that morning. It was a revelation. ... I'm lost in admiration of him and it! (from liner note from the LP)

Poland

Fryderyk Chopin - Documentary about the life of Frédéric Chopin (2015)
56:56

Fryderyk Chopin - Documentary about the life of Frédéric Chopin (2015)

With Bobby McFerrin, Daniel Barenboim, Martha Argerich, Vladimir Ashkenazy, Charles Rosen, Alexander Lonquich, Adam Harasiewicz, Janusz Prusinowski Trio and others... Subscribe to EuroArts: https://goo.gl/jrui3M Follow us on Facebook: https://www.facebook.com/EuroArtsMusic​ The documentary offers a careful use of the epistolary of the “protagonist”, entrusting to letters written and received by Chopin. The writings are interpreted by the two renowned actors Fabrizio Bentivoglio and Margherita Buy Frédéric Chopin (1810-1849) was born in Żelazowa Wola, near Warsaw, in a setting far from the limelight of the great musical tradition, but at the same time he absorbs the winds that blow in from that same tradition. His education is the fruit of Polish culture and cannot be separated from that, but he also feels the influence of the three main cultures of the time: Italian, Austro-German and French.This documentary describes the places that provided the basis for the young composer’s imagination, from the capital Warsaw to rural Poland, where Chopin spends part of his childhood and is formed as a man and a musician, on to Paris, theatre of the second half of the musician’s life. The film evokes the atmosphere of the Polish countryside: Żelazowa Wola, Szafarnia, Torun are described through documentary footage that restores the suggestiveness, which is still alive today, of the folklore Chopin was so attached to. Without forgetting, naturally, Warsaw, with the world’s most important piano competition, preserves the memory of one of the most important characters of European culture.
Karol Szymanowski: The Polish Pioneer
28:14

Karol Szymanowski: The Polish Pioneer

🎶 Support the channel: 🎼 https://lentovivace.bandcamp.com 🎼 https://www.patreon.com/classicalnerd This was requested by Sean Ramsdell, Zeke Bourgeois, Jack Domanski, Emil Kiełczyński, Davide Pisanu, and My Dog is Scriabin. See all requests at http://lentovivace.com/classicalnerd.html 📚 Sources/further reading: “Analytical Approaches to the Middle-Period Compositions of Karol Szymanowski,” by Alan Michael Reese (Ph.D Dissertation, Eastman School of Music, 2018) “The ‘Szymanowski Clash’: Harmonic Conflict and Ambiguity in the Szymanowski Mazurkas” by Matthew Bengtson (Intersections, the Canadian Journal of Music, 2016, Vol. 36 No. 1): https://www.erudit.org/en/journals/is/1900-v1-n1-is03495/1043866ar.pdf “Karol Szymanowski and Richard Strauss: Of Diverging Epiphanies” by Paul Cadrin (Canadian University Music Review, 2004, Vol. 24 No. 2): https://www.erudit.org/en/journals/cumr/2004-v24-n2-cumr0480/1014581ar.pdf “Karol Szymanowski’s Musical Language in ‘Myths’ for Violin and Piano” by Hyojin Ahn (DMA Dissertation, Rice University, 2008): https://scholarship.rice.edu/bitstream/handle/1911/22139/3309825.PDF?sequence=1&isAllowed=y “Karol Szymanowski's First Violin Concerto, Op. 35” by Emily Chao (DMA Dissertation, Boston University, 2013) “Piano Sonata No. 3, Op. 36 by Karol Szymanowski: Musical and Historical Influences” by Ji-Young Kim (DMA Dissertation, University of Arizona, 2010) “Impact, Influence, and Performance of Szymanowski’s Myths Op. 30” by Sophie Bird (DM Dissertation, Indiana University, 2019): https://scholarworks.iu.edu/dspace/bitstream/handle/2022/23009/Bird%2C%20Sophie%20%28DM%20Violin%29.pdf?sequence=1&isAllowed=y “The Violin Music of Karol Szymanowski” by Frank Kwantat Ho (MA Thesis, University of Alberta, 2000): https://era.library.ualberta.ca/items/f5791da5-f6fa-4e62-a264-f6253bbe8002/view/2af4f0ff-6608-4e78-87cd-5f1206a27389/MQ59725.pdf “‘A New Mode of Expression”: Karol Szymanowski’s First Violin Concerto Op. 35 Within a Dionysian Context” by Marianne Broadfoot (Ph.D Dissertation, Sydney Conservatory, 2014): https://core.ac.uk/download/pdf/41241413.pdf “Karol Szymanowski and his ‘Stabat Mater’” by Kuan-Fen Liu (DMA Treatise, University of Southern California, 2010) “Music of Karol Szymanowski in the Intertextual Dialogue” by Bogumiła Mika, University of Silesia (New Sound 51, 2018): http://www.newsound.org.rs/pdf/en/ns51/04_Mika.pdf Program notes to Szymanowski’s String Quartet No. 1 by Chris Darwin: http://www.lifesci.sussex.ac.uk/home/Chris_Darwin/WebProgNotes/pdfs/Szymanowski1.pdf ---------- Classical Nerd is a video series covering music history, theoretical concepts, and techniques, hosted by composer, pianist, and music history aficionado Thomas Little. ---------- Music: - Karol Szymanowski: Nocturne and Tarantella, Op. 28 (1915), performed by Angelo Xiang Yu and Dina Vainshtein and available on IMSLP: https://tinyurl.com/rnofcre - Thomas Little: Dance! #2 in E minor, Op. 1 No. 2, performed by Rachel Fellows, Michael King, and Bruce Tippette - Karol Szymanowski: String Quartet No. 1, Op. 37 (1917), performed by the Camerata Quartet [original upload: uxdMSDLzNJ4] ---------- Contact Information: Questions and comments can be directed to: nerdofclassical [at] gmail.com Tumblr: classical-nerd.tumblr.com Facebook: https://www.facebook.com/classicalnerd/ Instagram: https://www.instagram.com/the_classical_nerd/ ---------- All images and audio in this video are for educational purposes only and are not intended as copyright infringement. If you have a copyright concern, please contact me using the above information.

Russia

Peter Tchaikovsky - a Biography: His Life and Places (Documentary)
19:02

Peter Tchaikovsky - a Biography: His Life and Places (Documentary)

Peter Tchaikovsky: a biography in words and pictures. The places where Tchaikovsky worked and the most important people of his life (documentary). 00:00 Intro 01:10 Childhood and family 03:19 Two disasters end childhood 05:49 Student at the conservatory and civil servant at the state 06:59 Teacher at the conservatory - 10 years of search 07:30 The search as an artist 08:23 The search as a human being 09:39 The music journalist 10:06 Two immortal strokes of genius out of the blue 12:53 The great crisis of life - fiction and reality blurred 13:31 The miracle occurs 14:20 Unleashed creativity 14:45 Years as a conductor and traveler 14:59 Unleashed creativity for the second time 15:40 Alienation from Nadezhda von Meck 16:53 The end You can find more information about these operas in the opera portraits in the online opera guide www.opera-inside.com Online opera guide to Queen of spades https://opera-inside.com/the-queen-of-spades-by-p-i-tchaikowsky-the-opera-guide-and-synopsis/ Online opera guide to Eugene Onegin https://opera-inside.com/eugen-onegin-by-peter-tchaikovsky-the-opera-guide-synopsis/ More biographies of Artist (Youtube Videos) ********************************************* Bach: https://youtu.be/qqmhYsF-JrE Donizetti: https://youtu.be/3YI44YEB1u4 Puccini: https://youtu.be/O9fRIqnGAFQ Rossini: https://youtu.be/Qv511Z6R-w8 Strauss: https://youtu.be/DoDegi7FcWk Tchaikowsky: https://youtu.be/Vo-RX49UkxA Verdi: https://youtu.be/-JNNZWYH4w4 Mendelssohn: https://youtu.be/3susb6TcHG8 Mozart: https://youtu.be/fC0_h3-ZH0Q Brahms: https://youtu.be/DyVmw5u9vjI Stravinsky: https://youtu.be/67mGIs3RSAs Bruckner: https://youtu.be/XdIcfzjGdjc Wagner: https://youtu.be/JPdz8Oa9Doo Beethoven: https://youtu.be/yl7HqahLCDk
Modest Mussorgsky: The Troubled Dramatist [The Mighty Handful, Pt. 5/6]
30:50

Modest Mussorgsky: The Troubled Dramatist [The Mighty Handful, Pt. 5/6]

🎶 Support the channel: 🎼 https://lentovivace.bandcamp.com 🎼 https://www.patreon.com/classicalnerd This was requested by parker, Josh Tebben, torram28, Sean Ramsdell, Jose Vega, and Peasant's Rondo. See all requests at http://lentovivace.com/classicalnerd.html 📚 Sources/further reading: “Musorgsky: His Life and Works” by David Brown “Pianistic Mastery of Modest Mussorgsky’s Pictures at an Exhibition: Developing Associative Thinking through Analysis of Musical Texture” by Ana Cristea (DMA Dissertation, University of Miami, 2016): https://scholarlyrepository.miami.edu/cgi/viewcontent.cgi?article=2637&context=oa_dissertations “Mussorgsky’s Pictures at an Exhibition: Identifying the Expressive Narrative through Comparisons with Vocal Literature” by Matthew Quick (DMA Dissertation, University of Cincinnati, 2014): https://etd.ohiolink.edu/!etd.send_file?accession=ucin1406819727&disposition=inline “Correcting the Record: A Comparison of Vladimir Ashkenazy’s Urtext-Based Edition of ‘Pictures at an Exhibition’ with Orchestration by Ravel and Stokowski” by Hoon Choi (DMA Dissertation, University of North Texas, 2012): https://digital.library.unt.edu/ark:/67531/metadc149572/m2/1/high_res_d/dissertation.pdf “A Stylistic Analysis of the Early and Late Songs of Modest Petrovich Mussorgsky (1836–1881)” by Daniel Johnson (MM Thesis, Texas Tech University, 1976): https://ttu-ir.tdl.org/bitstream/handle/2346/15681/31295015502858.pdf?sequence=1 ---------- Classical Nerd is a video series covering music history, theoretical concepts, and techniques, hosted by composer, pianist, and music history aficionado Thomas Little. ---------- Music: - Modest Mussorgsky: Pictures at an Exhibition (1874), performed by Chiara Bertoglio and available on IMSLP: https://tinyurl.com/PixatanExhibition - Thomas Little: Dance! #2 in E minor, performed by Rachel Fellows, Michael King, and Bruce Tippette - Modest Mussorgsky: Night on [the] Bald[/Bare] Mountain (1867), performed by the London Philharmonic conducted by David Lloyd-Jones [original upload: zR2P-5J-2MA] ---------- Contact Information: Questions and comments can be directed to: nerdofclassical [at] gmail.com Tumblr: classical-nerd.tumblr.com Facebook: https://www.facebook.com/classicalnerd/ Instagram: https://www.instagram.com/the_classical_nerd/ ---------- All images and audio in this video are for educational purposes only and are not intended as copyright infringement. If you have a copyright concern, please contact me using the above information.

USA

Gershwin Documentary
01:28:30

Gershwin Documentary

George Jacob Gershwin (/ˈɡɜːrʃ.wɪn/; September 26, 1898 – July 11, 1937) was an American composer and pianist.[1][2] Gershwin's compositions spanned both popular and classical genres, and his most popular melodies are widely known. Among his best-known works are the orchestral compositions Rhapsody in Blue (1924) and An American in Paris (1928) as well as the contemporary opera Porgy and Bess (1935). Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell and Joseph Brody. He began his career as a song plugger, but soon started composing Broadway theatre works with his brother Ira Gershwin, and Buddy DeSylva. He moved to Paris intending to study with Nadia Boulanger, who refused him, where he subsequently composed An American in Paris. After returning to New York City, he wrote Porgy and Bess, with Ira, and the author DuBose Heyward. Initially a commercial failure, Porgy and Bess later went on to be considered one of the most important American operas of the Twentieth century, and an American cultural classic. Gershwin moved to Hollywood and composed numerous film scores until his death in 1937 from glioblastoma multiforme, a malignant brain tumor.[3] Gershwin's compositions have been adapted for use in many films and for television, and several became jazz standards recorded and covered in many variations. Many celebrated singers and musicians have performed his songs. Music, Art, Film, Authors, History, Transportation and the Sciences http://www.sherwayacademy.ca
A Portrait of Aaron Copland and American Musical History (1975).
28:06

A Portrait of Aaron Copland and American Musical History (1975).

A public domain video Aaron Copland's insights and reflections on American musical history. Illustrates his achievement in writing symphonic music. Aaron Copland was an American composer, composition teacher, writer, and later a conductor of his own and other American music. Copland was referred to by his peers and critics as "the Dean of American Composers." The open, slowly changing harmonies in much of his music are typical of what many people consider to be the sound of American music, evoking the vast American landscape and pioneer spirit. He is best known for the works he wrote in the 1930s and 1940s in a deliberately accessible style often referred to as "populist" and which the composer labeled his "vernacular" style. Works in this vein include the ballets Appalachian Spring, Billy the Kid and Rodeo, his Fanfare for the Common Man and Third Symphony. In addition to his ballets and orchestral works, he produced music in many other genres including chamber music, vocal works, opera and film scores. After some initial studies with composer Rubin Goldmark, Copland traveled to Paris, where he first studied with Isidor Philipp and Paul Vidal, then with noted pedagogue Nadia Boulanger. He studied three years with Boulanger, whose eclectic approach to music inspired his own broad taste. Determined upon his return to the U.S. to make his way as a full-time composer, Copland gave lecture-recitals, wrote works on commission and did some teaching and writing. He found composing orchestral music in the modernist style he had adapted abroad a financially contradictory approach, particularly in light of the Great Depression. He shifted in the mid-1930s to a more accessible musical style which mirrored the German idea of Gebrauchsmusik ("music for use"), music that could serve utilitarian and artistic purposes. During the Depression years, he traveled extensively to Europe, Africa, and Mexico, formed an important friendship with Mexican composer Carlos Chávez and began composing his signature works. During the late 1940s, Copland became aware that Stravinsky and other fellow composers had begun to study Arnold Schoenberg's use of twelve-tone (serial) techniques. After he had been exposed to the works of French composer Pierre Boulez, he incorporated serial techniques into his Piano Quartet (1950), Piano Fantasy (1957), Connotations for orchestra (1961) and Inscape for orchestra (1967). Unlike Schoenberg, Copland used his tone rows in much the same fashion as his tonal material—as sources for melodies and harmonies, rather than as complete statements in their own right, except for crucial events from a structural point of view. From the 1960s onward, Copland's activities turned more from composing to conducting. He became a frequent guest conductor of orchestras in the U.S. and the UK and made a series of recordings of his music, primarily for Columbia Records. Subscribe - never miss a video! https://www.youtube.com/channel/UC_S8ZlDCRkMMgc7ciw8X-hg The 20th Century Time Machine takes you back in time to the most important historical events of the past century. Watch documentaries, discussions and real footage of major events that shaped the world we live in today. https://www.youtube.com/watch?v=EHAZA5h5cmo
Leonard Bernstein
01:57:47
Samuel Barber: Absolute Beauty | Documentary Trailer
03:09

Samuel Barber: Absolute Beauty | Documentary Trailer

Trailer for the feature-length documentary "Samuel Barber: Absolute Beauty." With English, French, German, Spanish and Russian subtitles (click the gear icon at bottom-right). Visit https://samuelbarber.bio for more information on this film. Also available via streaming and DVD/Blu-Ray on Amazon at https://amazon.samuelbarber.bio, and on Vimeo at https://watch.samuelbarber.bio, and here on YouTube at https://www.youtube.com/@zenviolence/store. The film had its PBS debut on WHYY-TV in Philadelphia on July 15, 2017. The Philadelphia Inquirer acclaimed its “great visual polish” and “extremely impressive array” of sources. Composition:Today called it “a remarkable success” that “rewrites the rules of documentary filmmaking,” and MusicWeb International called it a “lavishly illustrated documentary” that “proclaims the meticulous labour, inspiration and persuasive powers of H. Paul Moon and his subject.” It has played in numerous film festivals, won two top awards, was listed as a 2017 Recording of the Year by MusicWeb International, and named "Critic's Choice" by Opera News. In order of appearance (in this trailer): William Schuman, composer J. Reilly Lewis, conductor Jenny Oaks Baker, violin Kim Allen Kluge, conductor Thomas Hampson, baritone Barbara Heyman, author William Sharp, baritone Rosa Lamoreaux, soprano Michael Adcock, piano Christopher Rex, cello Leonard Slatkin, conductor Thomas Larson, author Pierre Brévignon, author Leonard Bernstein, composer Marin Alsop, conductor

China

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